·Brief Story of the Documentary and Inspiration: The documentary delves into the heart of Lahore's renowned Nisbat Road, a vibrant hub of camera markets and photography enthusiasts. The documentary aims to explore the rich history, diverse culture, and artistic essence of Nisbat Road, tying these elements together through the philosophical lens of Yin and Yang.
·Central Message: The overarching message of the documentary is to portray Nisbat Road not just as a marketplace but as a living, breathing entity where the art of photography intertwines with the philosophical concept of Yin and Yang. It seeks to communicate that within the seemingly opposing elements—traditional and modern, light and shadow, history and evolution—exists a harmonious balance that defines the soul of Nisbat Road.
·Aim: By outlining the thematic elements, key interviews, and the core message of the documentary, the proposal seeks to convey the unique and captivating nature of the project. It emphasizes the cultural significance of Nisbat Road, the timeless artistry of photography, and the universal philosophy of Yin and Yang that binds these elements together. The goal is to create a visually compelling and thought-provoking documentary that resonates with audiences, celebrating the convergence of history, art, and philosophy in Lahore's iconic Nisbat Road.
·Research: Nisbat road, also known as chamberlain road is currently Lahore’s biggest and busiest roads and hosts one of the largest camera markets. Back in 1947, during partition it was one of Lahore’s finest residential areas, almost entirely Hindu. After partition, most of the abandoned homes were occupied by Amritsari refugees. This was the upscale hindu neighborhood developed and owned by the hindus exclusively. Dyal Singh college and Dyal Singh public library located here are still operational under their original names.
// Shot Division and equipment
Equipment:
Sony a6300, Sony 50mm F1.8
Sony a7iv, Sigma 24-70mm F2.8
iPhone 15/14
Editing Software:
Davinci Resolve
Sound Recording:
iPhone 12
Indoor studio interviews and broll:
Shot type: Mid-shot
Shot description: Film camera placed on a stool
Location: Boorays Space
Movement: static
Shot type For Brolls: Closeup
Shot description: Broll shots of Film camera placed on a
stool.
2. Brief summary of set & nature of filming / activity
A documentary based on a camera market.
guirella shoot at nisbat road for interviews and Brolls
interview shoot at studio space.
3. Names and contact details of the production crew / cast / documentary participants. Add extra lines as you need to.
Name:
Role:
Contact number
Saboor Akram
Director
0333 0445042
4. Identify potential hazards; who could be affected; how they could be affected; and list the control measures that will reduce the risk. University H&S policies can be found here.
Type of injury or health problem that might result i.e. cuts, bruises, fractures, electric shock, burns etc.
List the control measures you will put in place to reduce risks from the hazards to an acceptable standard
Control measures should ultimately reduce the overall risk. Do not purely rely upon providing Personal Protective Equipment or rely on just ‘being careful’
Evaluate the probability and consequence
Indicative values for P column (P = Probability)
L = might happen, but unlikely
M = could happen
H = will probably happen
Indicative values for C column (C = Consequence)
L = can return to filming work after minor attention
M = person unable to work for 3 days or longer
H = permanent injury or death
P
C
Access/ Egress
L
L
Aircraft / flying
L
L
Allergens
L
L
Animal
L
L
Audience / public
L
L
Boats
L
L
Compressed gas / gas
L
L
Confined spaces
L
L
Cranes, hoists, lifts & access platforms
L
L
Derelict buildings, dangerous structures
L
L
Diving operations
L
L
Electricity
L
L
Falling objects
L
L
Fire
L
L
Generators
L
L
Glass
L
L
Hand tools
L
L
Hazardous chemicals
L
L
Heat / cold
L
L
Inexperienced / children / vulnerable persons
L
L
Location Lighting
L
L
Machinery
L
L
Manual Handling
L
L
Mines, excavations / tunnels / quarries
L
L
Noise
L
L
Physical exertion
L
L
Poor visibility / night shooting
L
L
Roadside working, traffic, vehicles
L
L
Scaffolding
L
L
Speed (running or other sport - not vehicles)
L
L
Stress
M
L
Stunts
L
L
Trailing cables
L
L
Messy environment (equip / props)
L
L
Violence, aggression, public disorder, war
M
L
Visual effects: smoke, snow, fireworks
L
L
Water
L
L
Weapons
L
L
Weather
L
L
Lone working
L
L
Working at height
L
L
Other (list and add rows if necessary)
L
L
Mark an X next to your choices
5. With control measures in place what is the likelihood of an injury or health effect?
Minor
1
X
Moderate
2
Major/Fatal
3
6. How likely is the most significant hazard to cause harm?
Unlikely
1
X
Likely
2
Very Likely
3
7. Calculate the risk score (use the figure which represents the highest risk of all present hazards)
Low
1−2
X
Medium
3−4
High
6−9
13. Signatures
The names below are confirming the date that they have read and discussed this risk assessment with the production team. Based on the information supplied on this form it is noted that the control measures are considered appropriate and proportionate to the hazards identified. At all times, students retain responsibility for their own safety and for those around them.
Student Producer: Saboor Akram
Date:
Production Coordinator: Saboor AKram
Date:
Unit Tutor:
Date:
Technician/Tech Tutor (supervising if studio based):
Date:
Estates Services Manager (where UCA routes, building features etc are impacted):
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